Press & Announcements
Read the latest press coverage & announcements about Freeman's.
Read the latest press coverage & announcements about Freeman's.
Freeman’s fall Design auctions soared on November 20, delivering exceptional results and reaffirming the market’s enthusiasm for rare and important design. Together, the morning Early 20th Century Design and afternoon Modern Design sales realized a combined total of $1,340,060—nearly double pre-sale expectations. Lot 21 | Tiffany Studios (American, 1892–1930)| Bronze table lamp with Pansy shade | Sold for: $44,800 The Early 20th Century Design auction excelled with a remarkable 140% sell-through rate by value and 95% of lots sold. The sale was led by strong demand for a large selection of Tiffany lamps, alongside standout examples of Rozenburg porcelain and exceptional French Art Deco furniture by Maurice Dufresne, Jean Pascaud, Jules Leleu, and others. Modern Design continued the momentum in the afternoon, with nearly every lot selling—97% in total—and an impressive 154% sell-through rate by value. The session drew competitive bidding for works by George Nakashima, Finn Juhl, Ruth Duckworth, Philip and Kelvin LaVerne, as well as leading Italian designers such as Lino Tagliapietra, Gino Sarfatti, and various post-modern designers affiliated with Memphis. Together, the two sales attracted significant new interest, with 31% of buyers participating in a Freeman’s auction for the first time and bidders from 12 countries engaging across both sessions. Roger Ward, Head of Department, Design, indicated, “We were pleased to see strong demand across all periods and categories, with particularly notable interest in French Art Deco during the morning session and robust enthusiasm for contemporary design in the afternoon.” Early 20th Century Design The morning session was dominated by Tiffany, with four of the top five lots coming from the studio. Leading the auction was a bronze Tiffany table lamp with a Pansy shade (Lot 21)—a richly colored motif beloved by collectors—which sold for $44,800, well above its $25,000–35,000 estimate. Tiffany’s Pansy pattern, known for its lifelike floral clusters executed in striated and mottled glass in hues of purple, yellow, and green, reflects the studio’s mastery of naturalism and Art Nouveau design. Another standout lot was a set of eight Art Deco dining chairsby Maurice Dufrêne (Lot 11), crafted in burl maple and mahogany with inlay and upholstery—realizing $25,600, far surpassing its pre-sale estimate of $3,000–5,000. Dufrêne, a leading figure in French decorative arts, was known for his refined, handcrafted furniture and his leadership of the Maîtrise workshop. Additional Highlights Lot 64 Tiffany Studios, Curtain Border hanging shade, c. 1910 Sold for $32,000 Lot 20 Tiffany Studios, Table lamp with Geranium shade Sold for $28,800 Lot 9 Maurice Dufrene, French art deco sideboard, c. 1922 Sold for $21,760 Lot 57 Jean Pascaud, Art Deco Meuble D'Appui, c. 1930 Sold for $20,480 Lot 28 Samuel Schellink (painter) for Rozenburg, c. 1901, Eggshell porcelain vase with polychrome seahorse decor, model 89 Sold for $14,080 Lot 3 Jules Leleu, Inlaid two-door cabinet, c. 1938 Sold for $10,240 Lot 6 Émile-Jacques Ruhlmann, Oreille Cassée wingback chair, c. 1925 Sold for $10,240 Modern Design The afternoon session was led by Achille Salvagni’s Spider six-light chandelier in lacquered bronze and onyx (Lot 187), which surged to $76,700, more than seven times its $10,000–20,000 estimate. The striking, sculptural form—stamped “AS 1/1” to denote its unique edition—showcases Salvagni’s signature blend of classical influence and contemporary precision. Freeman’s also continued its strong track record with George Nakashima. A1982 “Conoid” bench (Lot 105) featuring two butterfly joints achieved $41,600, while a Set of eight “New” chairs (Lot 23) from 1977 realized $24,320, doubling the low estimate. Nakashima’s work—celebrated for its organic lines, solid craftsmanship, and reverence for natural wood—remains a consistent draw for collectors. Additional Highlights Lot 82 Lino Tagliapietra, Saba, 2008 Sold for $25,600 Lot 175 Toots Zynsky, Agrodolce (Bittersweet) vase, 2003 Sold for $19,200 Lot 21 Finn Juhl, 'Chieftain' Lounge Chair, Baker Furniture, USA, c. 1960 Sold for $19,200 Lot 194 Gino Sarfatti, Floor light, model n. 1006, Arteluce, designed 1966 Sold for $17,920 Lot 24 George Nakashima, Trestle dining table with 3 butterfly joints, 1977 Sold for $15,360 Lot 148 Ruth Duckworth, Untitled, 1980 Sold for $12,800 Lot 129 Philip and Kelvin LaVerne, Chan coffee table, c. 1960 Sold for $12,800 Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Across two days, the recently rebranded Freeman’s Auction sold nearly $2.3 million worth of Antiquities and Ancient Art from its Chicago saleroom on November 19 and 21.
This December, Freeman’s will present Ageless Beauty: The Dayle Haddon Collection, an extraordinary assemblage of fine jewelry, handbags, and couture from the personal collection of international supermodel, actress, and humanitarian Dayle Haddon. Featured in the Important Jewelry and Holiday Lux auctions on December 11 and 12, the sales will pay tribute to Haddon’s remarkable career and her enduring commitment to empowering women and girls around the world. A defining face of the 1970s and 1980s, Dayle Haddon graced the covers of Vogue, Harper’s Bazaar, and Elle, and collaborated with legendary photographers including Helmut Newton, Horst, Guy Bourdin, and Lord Snowdon. Her timeless elegance and pioneering spirit redefined beauty standards and left an indelible mark on the fashion industry. Beyond the runway, Haddon served as a global ambassador for L’Oréal and Estée Lauder, representing grace and confidence for women of all ages. Equally inspiring was Haddon’s life beyond fashion. A devoted humanitarian, she founded WomenOne, a nonprofit organization dedicated to ensuring every girl has access to quality education and the opportunity to reach her full potential. As a UNICEF Ambassador, she worked extensively across Africa and the Middle East to remove barriers to education and create pathways for female leadership. Through her tireless advocacy, Haddon mobilized partnerships with corporations, philanthropists, and policymakers to deliver sustainable education initiatives to girls in underserved communities. Her legacy continues through the thousands of young women whose lives have been transformed by access to education and opportunity—a testament to her lifelong belief that when you educate a girl, you change the world. Auction Highlights Van Cleef & Arpels Diamond ‘Snowflake’ Earrings Estimate $30,000 – 50,000 A delicate openwork design in platinum, these earrings evoke a crystalline snowflake motif set with approximately 5.50–6.00 carats of round diamonds—an emblematic example of Van Cleef & Arpels’ blend of technical finesse and lyrical design. Dior, Medium Metallic Gold Lady Dior Estimate $1,000 – 2,000 This Medium Lady Dior handbag—crafted in metallic gold coated cotton with Dior’s iconic cannage quilting—is a modern iteration of a design born in 1994 (later named in honor of Princess Diana), featuring gold-tone hardware, DIOR charms, a zipper closure, and a mix of top handles and a removable strap. Christian Dior, Lady D-Joy Quilted Bag Estimate $3,000 – 5,000 A sleek black lambskin Lady D-Joy bag with cannage quilting, gold-tone hardware, versatile straps (top-handle, shoulder, crossbody), and a red jacquard lining. Chanel, Black Aged Leather 2.55 Reissue Flap Bag Estimate $1,000 – 2,000 This 2.55 Reissue is a revival of Gabrielle “Coco” Chanel’s 1955 original—featuring diamond quilting inspired by her love of equestrian style, the rectangular “Mademoiselle” lock, and a chain strap that liberated women from clutch-style fashion. Boucheron, Diamond and Yellow Gold Earrings Estimate $7,000 – 9,000 Featuring a continuous swirling design, these earrings showcase a half-moon pendant set with approximately 1.10 carats of transitional-cut diamonds, executed in 18k yellow gold and platinum. Boucheron, Bicolor Gold, Rock Crystal, and Emerald Cuff Bracelet Estimate $5,000 – 7,000 This striking cuff alternates stripes of yellow and white gold with carved rock crystal and cabochon emerald finials, showcasing Boucheron’s pioneering use of rock crystal—a material the Maison has championed since the 19th century. Christian Dior, Draped Fuchsia Dress Estimate $400 – 600 A vibrant and sculptural knee-length dress in fuchsia acetate/viscose crêpe, with twisted draped bodice details, a removable calfskin belt, and Dior’s signature blend of elegance and wearable couture. Preview Ageless Beauty: The Dayle Haddon Collection will be on view as part of both the Important Jewelry and Holiday Lux auction previews. Important Jewelry Chicago, 1550 West Carroll Avenue December 1–3, 11 AM–6 PM New York City, 32 East 67th Street December 6–7, 11 AM–5 PM December 8–10, 10 AM–5 PM Holiday Lux Preview available by appointment in Chicago. About Freeman’s Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
On December 7, Freeman’s Philadelphia saleroom will showcase the American Art & Pennsylvania Impressionists auction, featuring a diverse selection of 19th- and 20th-century American art. Highlights include Alexander Phimister Proctor’s bronze Pursuit of the King of the Herd, illustrations by N. C. Wyeth, modernist works by George Bellows, and a premier group of Pennsylvania Impressionists, led by Daniel Garber’s Sumac Lane.
Freeman’s Post War and Contemporary Art sale, held in New York on Friday, the 14th, realized $2,149,700 (hammer + BP) and posted an 80% sell-through rate.
Freeman’s Fine Printed Books & Manuscripts, Including Americana auction on November 13 delivered a standout $1,251,140 total, driven in part by several strong single-owner sessions in which nearly every lot found a buyer. Overall, the auction achieved an impressive 128% sell-through rate by value and sold 91% of all lots, with 16% of buyers participating in a Freeman’s sale for the first time.
Freeman’s American Furniture, Folk & Decorative Arts auction presented over 300 lots showcasing property from prominent and early American collectors in New York and Philadelphia, including the Astor, Morgan, Stotesbury, and Scott Families. Other offerings include fine Queen Anne, Chippendale, and Federal furniture, as well as portraiture from New England to the Southern States. The sale achieved a total of $1,097,080, with 81% lots sold, and welcomed 12% new buyers to the firm. “This sale offered a wonderful diversity of property, and there were passionate bidders across all categories, from Astor Family material to Aesthetic Movement silver and folk paintings,” said Andrew Taggart, Specialist, American Furniture, Folk & Decorative Arts. “The Lafayette pocket watch and the Gorham Japonesque punch bowl were highlights of the auction, and the sale concluded with a strong realized price on a Ralph Cahoon work.” Notable collections from this sale included the Scott Family, which achieved a 100% sell-through rate. Leading their collection was an extensive Chinese Export porcelain dinner service from the late 18th century (lot 40), which sold for $11,520. The Astor Family also achieved a white glove result, with all lots sold. The top lot (lot 2), a gold-mounted walking stick monogrammed for John Jacob Astor IV (1864–1912), realized $23,040. Additional lots that took center stage included a rare and monumental sterling silver Japonesque Punch Bowl, (lot 249) sold for $54,400, A Historic 18 Karat Tricolor Gold Open Face Jacquemart Automaton Quarter Repeater Pocket Watch Purportedly Owned by Marquis de Lafayette (lot 76) sold for $44,800, and Ralph Cahoon (American, 1910-1982), Seaman's Bethel (lot 315) sold for $41,600. Top Lots Include: · Lot 249 | A Rare and Monumental Sterling Silver Japonesque Punch Bowl Sold for $54,400 · Lot 76 | A Historic 18 Karat Tricolor Gold Open Face Jacquemart Automaton Quarter Repeater Pocket Watch Purportedly Owned by Marquis de Lafayette Sold for $44,800 · Lot 315 | Ralph Cahoon (American, 1910-1982), Seaman's Bethel Sold for $41,600 · Lot 138 | A Chippendale Carved Walnut Dressing Table, Philadelphia, Pennsylvania, Circa 1765 Sold for $35,200 · Lot 260 | An Assembled 14 Karat Gold Dressing Set, William B. Kerr & Co., Newark, New Jersey, Early 20th Century Sold for $32,000 · Lot 2 | A Gold-Mounted Walking Stick Monogrammed for John Jacob Astor IV (1864-1912), Dated, "1894" Sold for 23,040 · Lot 310 | A Carved and Polychrome Painted Tobacconist Figure Sold for $21,760 · Lot 90 | A Needlework Sampler, Signed, "Jane Brimblecom's Work Age 11 Years 1811," Marblehead, Massachusetts Sold for $19,200 · Lot 199 | An Impressive Pair of Classical Silver Sauce Boats Sold for $16,640 · Lot 263 | Ammi Phillips (1788-1865), A Portrait of a Young Woman possibly Hanna Mills Raymond (1815-1837) of Kent, Connecticut, Circa 1836 Sold for $16,640 About Freeman’s Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
This December, Freeman’s will present Camp Rosemary: The Estate of Posy Krehbiel, an impressive two-part auction series offering more than 450 objects from one of Lake Forest’s most storied properties. The sales, on December 10 and 11 in Chicago, celebrate the life and legacy of Posy Krehbiel—renowned philanthropist, artist, athlete, world traveler, and gardener—and her beloved home, Camp Rosemary. Camp Rosemary comprises nearly nine acres of lush formal gardens and a stately red brick Georgian residence designed in 1904 by prominent architect Benjamin Marshall for John Taylor Pirie and his wife, Sophie Skirving Hunter. Landscape architect Rose Standish Nichols, celebrated for her work on East Coast estates, created the original garden plan, which has since evolved into a breathtaking horticultural masterpiece. LEFT TO RIGHT The pool and pool house A flower garden near the conservatory For more than thirty years, Posy and her family lovingly restored the estate in partnership with a talented team of architects, designers, and expert gardeners. Architectural updates began with Chicago architects Thomas and Kirsten Beeby, followed by work with Imogen Taylor of Colefax and Fowler, the leading arbiters of English country-house taste. Together with those talented individuals, Posy preserved the estate’s historic character while gently expanding its footprint through inspired additions. These include a delightfully ornamental swimming pool folly featuring a Dutch-inspired gable and an open terrace beneath, while the pool house interiors reference classical Swedish rooms with trompe-l’oeil painted murals. A devastating 1995 fire destroyed part of the garage wing and the apartment above, but this challenge led to renewed transformation with the construction of a glassy conservatory and an elegant adjoining guest house. The property later expanded northward with the acquisition of Meadeside, enabling the gardens to grow to include a greenhouse, a generous vegetable garden, and an apple orchard. With twenty-one distinct “garden rooms,” towering mature trees, and vibrant seasonal blooms, Camp Rosemary is widely regarded as one of the finest private gardens in North America—an enduring testament to Posy Krehbiel’s passion and vision. LEFT TO RIGHT The Dining Room Entry room to the home Across the home’s interior, the connection to nature is profound: botanical textiles, leaf-form ceramics, and preserved specimens appear throughout, creating an ongoing dialogue with the gardens just beyond the windows. Eighteenth-century English and Continental furniture softly enhances the country house idyll. Now, those who admired Posy’s creativity and passion—from the thousands who followed her through her garden gates to collectors of design—can acquire objects in which her vibrant, joyful spirit is deeply felt. Auction Highlights • Lot 17 | A Pair of English Celestial and Terrestrial Table Globes, Circa 1813 | Estimate $5,000 –7,000 • Lot 36 | A North European White-Painted and Parcel-Gilt Marble-Top Console Table, Second Quarter 19th Century | $5,000 – 7,000 • Lot 131 | A Set of Ten American Silver Chargers, Retailed by Marshall Field and Co., Chicago, IL | Estimate $3,000 – 5,000 • Lot 95 | A Neoclassical Cast Iron Eight-Piece Garden Suite, Late 19th Century | Estimate $3,000 – 5,000 • Lot 92 | A Pair of Swedish Neoclassical Style Painted Cabinets, 20th Century | Estimate $3,000 – 5,000 • Lot 73 | A Set of Thirty Georgian Style Painted Dining Chairs, 20th Century | Estimate $3,000 –5,000 • Lot 166 | A North European Red-Painted Bureau Cabinet, Late 18th Century, Redecorated | Estimate $2,000 – 4,000 • Lot 160 | A George III Style Painted and Parcel-Gilt Tester Bed, 20th Century | Estimate $2,000 –4,000 • Lot 44 | A Pair of Louis XVI Style Painted Daybeds, 20th Century | Estimate $2,000 – 4,000 • Lot 30 | A Regency Black-Painted, Parcel-Gilt and Faux Book Front Cabinet, First Quarter 19th Century | Estimate $1,500 – 2,500 • Lot 34 | A French Painted Canvas Four-Panel Floor Screen, Late 18th/Early 19th Century | Estimate $1,500 – 2,500 About Freeman’s Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s, one of the nation’s leading auction houses, is pleased to announce the appointment of Matthew Stavro as Senior Specialist for Prints & Multiples.
On the same day that Freeman’s announced that the firm would rebrand under the historic name of Freeman’s, the firm held two auctions of Old Masters and 19th Century European Art auctions that exceeded expectations on its way to a $2.5 million day.
Freeman’s | Hindman, a leading U.S.-based auction house for fine art, luxury, and decorative arts, announces it is rebranding the company under one historic name: Freeman’s. The rebrand is timed to coincide with the 220th anniversary of Freeman’s founding in November 1805, when Tristram B. Freeman was appointed auctioneer for the City of Philadelphia by the governor of Pennsylvania. As a new brand entity, Freeman’s unites the rich history of Philadelphia’s leading regional auction house with the legacy and expertise of Hindman Auctions in Chicago and Cowan’s Auctions in Cincinnati. The combined entities merged operations in 2024 to provide auction, appraisal, private sales, and art advisory services to private collectors, estates, and cultural institutions. With locations in 16 cities across the U.S., Freeman’s is the auction house of choice for private and estate collections valued in the $1 - 5 million range. In the first half of 2025, the company reported an impressive 9 percent year-over-year increase in total sales, while maintaining an industry-leading sell-through rate of 89% and increasing its share of new bidders to 24%. “Our focused strategy on the resilient ‘middle market’ in the auction sector has enabled our company to move from strength to strength in 2025, even as the top end of the market contracted at the global level,” said Alyssa D. Quinlan, CEO. “As we rebrand the company to Freeman’s, we recognize the expertise, regional leadership, and trusted relationships that have contributed to our collective success to date, and will continue to guide our brand’s mission and values as we enter this new era.” 220 Years Under the Hammer In celebration of Freeman’s rebrand and milestone anniversary, the company’s social media platforms will highlight a selection of extraordinary and unexpected items the firm has been entrusted to sell over the past 220 years. The series features the surprising -- decommissioned World War I battleships, Philadelphia’s 19th-century Post Office building, and a rare copy of the Declaration of Independence found in a bookshop attic -- as well as the sublime, including luminous master works by Vincent Van Gogh, Pierre-Auguste Renoir, and John Singer Sargent. “Few auction houses can lay claim to such a rich legacy,” noted Quinlan. “As we lead Freeman’s into its next chapter, we plan to continue bringing art, history, and design to life, and connecting more people with exceptional objects like these for generations to come.” The new Freeman’s brand identity is being rolled out this week to its physical locations and across Freeman’s digital platforms, including an updated website, auction calendar, social media, and client communications. To experience the rebranded Freeman’s, visit freemansauction.com. Selected Auctions & Highlights Freeman’s hosts 140 auctions each year across 52 collecting categories. Among the first major collection sales and category auctions to be presented by the rebranded Freeman’s at its Philadelphia, New York City, Denver and Chicago salerooms this month are: • Old Masters and 19th Century Art (Philadelphia, Nov. 4) – A dedicated sale of a remarkable private collection, Echoes of the Past, features Old Master and 19th century paintings and drawings assembled over decades by a discerning European collector. • Western and Contemporary Native American Art (Denver, Nov. 6) – Anchored by two exemplary private collections of classic Western and Southwestern art. • American Furniture, Folk and Decorative Arts (Philadelphia, Nov. 12) - Annual fall auction led by the Marquis de Lafayette gold pocket watch dated1805. • Post-War and Contemporary Art (New York City, Nov. 14) – Featuring extraordinary contemporary explorations of classical portraiture by Kehinde Wiley, Mickalene Thomas, Alex Katz, Fritz Scholder, Andy Warhol and Gertrude Abercrombie. • European Furniture & Decorative Arts (Chicago, Dec. 10 & 12) - Two-day auction of elegant furnishings from ‘Camp Rosemary’, the home of noted philanthropist and avid gardener Posy Krehbiel. • Important Jewelry (New York, Dec. 11) –Jewelry from prominent collections and signed pieces by Bulgari, Cartier, and Tiffany & Co., to be offered alongside a collection sold to benefit Shriners Children’s Hospitals. • American Art and Pennsylvania Impressionists (Philadelphia, Dec. 7) - showcasing premier works from Proctor, Chase, Pyle, Wyeth, Bellows, the Averys, and a standout group of Pennsylvania Impressionists. Find Freeman’s complete auction calendar and schedule of exhibitions here. Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s | Hindman (now Freeman’s) is pleased to present Antiquities and Ancient Art: Including Property from the Estates of Andrew C. Ware and Iris C. Love (Sale 6428), taking place Wednesday, November 19, 2025, at 10:00 a.m. CT. This season’s sale features material from two distinguished estates. Andrew C. Ware (1945–2024), an Egyptologist and dedicated student of Christiane Desroches Noblecourt, built a collection that reflects both scholarly inquiry and personal passion. His holdings include Egyptian works preserved in private hands for decades, enriched by the depth of family history and intellectual curiosity. Iris Cornelia Love (1933–2020), the celebrated archaeologist whose excavations at Knidos and Samothrace brought her international recognition, also assembled a collection that blended academic rigor with flair. “It’s a thrill to present the Iris Love collection,” said Jacob Coley, Vice President and Head of Antiquities & Ancient Art. “Following years of museum study and institutional loans, these pieces return to the spotlight for a new generation of collectors.” The Estate of Andrew C. Ware (1945–2024) (Lots 1-28) A devoted Egyptologist and student of Christiane Desroches Noblecourt, Andrew C. Ware assembled a collection that unites intellectual rigor with personal passion. His works—many held privately for decades—reflect both his academic pursuits and family legacy, offering fresh insight into Egypt’s artistic and spiritual traditions. The Estate of Iris Cornelia Love (1933–2020) (Lots 187-219) Iris Love with Aphrodite Archaeologist and collector Iris Cornelia Love, described by The New York Times as “Indiana Jones in a miniskirt,” led excavations at Knidos and Samothrace and was among the first women to receive Turkish excavation permits. A charismatic scholar and cultural figure, Love brought ancient art to life for new audiences. Her collection, portions of which were on long-term loan to The Metropolitan Museum of Art and the Brooklyn Museum for over three decades, demonstrates her extraordinary connoisseurship and deep personal engagement with classical antiquity. Auction Highlights Lot 36 | Egyptian Painted Limestone Noblewoman (Old Kingdom, 5th–6th Dynasty) Estimate: $80,000 - 120,000 Towering over 18 inches, this finely modeled figure exemplifies the Old Kingdom’s devotion to lifelike presence and eternal commemoration. Held in European collections since the 1970s. Lot 77 | An Over-Lifesized Roman Marble Torso (2nd Century A.D.) Estimate: $60,000 - 80,000 A commanding over-lifesized torso, nude but for a chlamys draped over one shoulder and a balteus (sword strap) crossing the chest, likely from a statue of an idealized hero or imperial figure. The dynamic stance and muscular modeling reflect the celebrated “Cumae-Munich Diomedes” type, inspired by Kresilas’ fifth-century B.C. statue of Diomedes. Exemplifying Hadrianic ideals of strength and restraint, this work has remained in a Chicago collection since 1989. Lot 45 | Egyptian Bronze Cat (Late Period–Ptolemaic Period) Estimate: $30,000 - 50,000 Compact and graceful, this bronze feline embodies Egypt’s spiritual reverence for animals. Retaining a rich ancient patina, it was last seen at auction in 1987 and has been privately held for nearly forty years. Many of these works have been unseen by the public for a generation, offering collectors and scholars a rare opportunity to engage directly with objects of remarkable beauty and historical importance. Antiquities and Ancient Art: Including Property from the Estates of Andrew C. Ware and Iris C. Love reaffirms Freeman’s | Hindman’s (now Freeman’s) ongoing commitment to presenting collections that connect audiences with the enduring legacy of the ancient world. Additional Highlights: · Lot 55 | A Cycladic Marble Female Torso | Estimate: $50,000 - 70,000 · Lot 91 | The Gréau Goddess | Estimate: $80,000 - 120,000 · Lot 152 | A South Arabian Alabaster Standing Worshipper | Estimate: $30,000 - 50,000 · Lot 160 | A Sumerian Copper Bowl with a Procession of Animals | Estimate: $25,000 - 35,000 Additional Highlights will be included in Antiquities, Fine, and Decorative Art: Including Property from the Estates of Andrew C. Ware and Iris C. Love Editor’s Note: Freeman's | Hindman — including legacy brands Cowan's and Hindman —now operates under the single, unified name Freeman's. Historical press releases, auction archives, and articles mentioning these former entities remain part of the official Freeman's network. For more information, please read our formal announcement: Freeman’s | Hindman Rebrands as Freeman’s.
Freeman’s Impressionist and Modern Art sale on October 28 achieved impressive results, realizing more than $3.1 million with an 84% sell-through rate by lot.
On November 14, Freeman’s | Hindman will offer 57 works spanning painting, sculpture, works on paper, photography, and prints in its New York Post War & Contemporary Art auction. The sale offers engaging and meaningful entry points for both seasoned connoisseurs and emerging collectors, and is anchored by two sophisticated, single-owner sessions: Property from a Distinguished Private Collection, Florida and The Collection of Dr. Gary London, Washington, D.C. Together, these collections provide a cohesive foundation for the sale, which is thematically unified by fresh and varied approaches to portraiture and abstraction. Zachary Wirsum, SVP, Head of Department, Post War and Contemporary Art, says, “With a balanced equity of chance and design, our November Post War & Contemporary Art auction coalesced beautifully into a stunning presentation of compelling visual conversations between significant creative voices spanning the last seven decades of art making. There are both ahead-of-the-curve opportunities and sparkling covetable gems to chase, and we are extremely proud of what we are bringing to the block.” Lot 24 | Alex Katz, Portrait of Al Held, 1963 | Estimate $150,000 – 250,000 Lot 20 | Mickalene Thomas, The Inversion of Racquel #2, 2021 | Estimate $250,000 – 350,000 Classical Portraiture Reimagined The auction is anchored by imaginative explorations of portraiture—one of art history’s most enduring and adaptable genres. The Collection of Dr. Gary London, Washington, D.C., forms the nexus of this exploration, bringing together diverse perspectives on identity, representation, and the artist’s gaze. From this collection comes Alex Katz’s Portrait of Al Held (1963) (Lot 24, estimate: $150,000 – 250,000), a refined example of Katz’s pared-down, sharply flattened style. Katz, celebrated for his portrayals of friends and contemporaries, here turns his gaze to fellow artist Al Held, capturing the intimacy of friendship. Also featured is Gertrude Abercrombie’s Portrait of Eddie Millman (1936) (Lot 25, estimate: $60,000 – 80,000), painted during her early years with New Deal art programs. The portrait, one of the few full-body depictions in her oeuvre, reveals Abercrombie’s early experimentation with form and perspective. Her portrayal of Millman—a fellow Chicago artist associated with WPA mural projects—blends psychological depth with modernist abstraction, embodying the curiosity and confidence that would later define her Surrealist compositions. Adding to this conversation is Philip Pearlstein’s Two Models with Empire State Building, Night (1992) (Lot 34, estimate: $120,000 – 180,000). Known for his rigorous depictions of the nude, Pearlstein frames the figures against the distant glow of the Empire State Building, linking the intimacy of the studio to the expanse of the city beyond. Contemporary portraiture finds renewed expression in Kehinde Wiley’s Street Thug (2004) (Lot 21, estimate: $150,000 – 250,000), which reinterprets the grand tradition of Old Master portraiture by placing contemporary Black subjects in positions of power and visibility. Similarly, Mickalene Thomas’s The Inversion of Racquel #2 (2021) (Lot 20, estimate: $250,000 – 350,000) celebrates Black femininity through lush color, pattern, and texture, merging art historical references with a distinctly modern vision of identity and beauty. Fritz Scholder: Truth and Transformation A standout group of six works by Fritz Scholder—an artist for whom Freeman’s | Hindman holds the top auction price and has long been recognized as a market leader—continues the portraiture theme through a different lens. Leading the group is Insane Indian No. 25 (1972) (Lot 22, estimate: $100,000 – 200,000) from the Collection of Barbara Berger, a haunting depiction that challenges the romanticized stereotypes of Native American representation. Painted at a time of social and cultural upheaval, the work channels both personal intensity and broader commentary on identity and visibility. Scholder’s fearless approach—infused with the visual energy of Pop Art and the emotional immediacy of Expressionism—redefined how Indigenous subjects were seen in contemporary art, cementing his status as one of the most vital voices in post-war American painting. Mark Bradford’s Social Abstraction The top lot of the sale is Mark Bradford’s Untitled (a set of three works), 2007 (Lot 46, estimate: $300,000 – 400,000). Bradford’s mixed media works on paper hold a defining place in contemporary American art for the way they expand abstraction while anchoring it in the social realities of urban life. Drawing from the legacies of Abstract Expressionism and post-minimalist collage, he transforms everyday materials—end papers, posters, and signage from his Los Angeles neighborhood—into richly layered compositions that carry both formal and social weight. In the three-part suite offered here, he demonstrates how the modernist pursuit of innovation can coexist with deep social engagement, reaffirming collage and abstraction as vital tools for cultural excavation and renewal. Lot 5 | Charline von Heyl, Untitled, 2007 | Estimate $150,000 – 250,000 Lot 6 | Amy Sillman, Untitled, 2014 | Estimate $150,000 – 250,000 Property from a Distinguished Private Collection, Florida Freeman’s | Hindman is equally pleased to present Property from a Distinguished Private Collection, Florida, a curated session of seven works that exemplify the dynamism of contemporary painting. Among them, Charline von Heyl’s Untitled (2007) (Lot 5, estimate: $150,000 – 250,000) demonstrates her restless inquiry into what painting can be in the 21st century. Rejecting fixed categories, von Heyl’s layered, unpredictable surfaces invite the viewer into a space of visual and emotional discovery. Also featured is Amy Sillman’s Untitled, 2014 (Lot 6, estimate: $150,000 – 250,000). Sillman’s paintings occupy a lively space between abstraction and figuration, where color and gesture become tools for probing emotion and perception. Her compositions evolve through layers of paint that reveal traces of revision, creating a sense of movement and psychological depth. In Untitled, Sillman juxtaposes muted tones with flashes of saturated color—acidic greens, dusky purples, and soft pinks—to evoke tension and surprise. Through this interplay of color, form, and gesture, she redefines abstraction as a deeply human and emotionally resonant practice. Additional Highlights · Lot 19 Jacob Lawrence, Time, 1953 | Estimate: $100,000 – 150,000 · Lot 45 Sam Gilliam, Dorothy's Mondays, 1977 | Estimate: $100,000 – 150,000 · Lot 29 Dame Elisabeth Frink, R.A., Wild Boar, 1957 | Estimate: $100,000 – 150,000 · Lot 2 Ken Price, Boo, 2007 | Estimate: $80,000 – 120,000 · Lot 40 Bernar Venet, Two Arcs of 236.5° Each, 1988 | Estimate: $60,000 – 80,000 · Lot 52 Andy Warhol, Red Lenin, 1987 | Estimate: $50,000 – 70,000 Sale Preview The sale preview will be held at Freeman’s | Hindman’s New York gallery, 32 East 67th Street: November 6, 7, and 10–13 | 10am–4pm November 8 | 11am–4pm Closed Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Freeman’s | Hindman is pleased to announce the appointments of Cori Pickett, Gus Dangremond, and Samira Farmer as Directors of Trusts, Estates & Private Clients, representing the firm in Scottsdale, AZ, the New York region, and Denver, respectively. Caroline Baker Smith also continues her tenure with Freeman’s | Hindman by relocating to Boston, where she now serves as Vice President, Trusts, Estates & Private Clients. These strategic additions reinforce Freeman’s | Hindman’s ongoing commitment to providing unmatched service and expertise to fiduciaries, attorneys, and private clients across the country. Caroline Baker Smith, Vice President, Trusts, Estates & Private Clients, recently relocated to Boston where she will lead the firm’s presence in New England. After nearly 10 years with a large global auction house, Caroline brings a depth of experience in meaningful appraisal and consignment solutions for estates of all sizes. Her relocation reflects Freeman’s | Hindman’s goal to grow its regional footprint by establishing a strong brand presence in the wider Northeast area. Cori Pickett, based in Scottsdale, brings a unique blend of institutional, academic, and design experience to her new role. She holds a BA in Studio Art and Art History from The University of Iowa and spent fourteen years in Washington, D.C., working with the National Gallery of Art and the Smithsonian Institution. Her most notable contribution includes her work on the curatorial team that built the collection for the National Museum of African American History and Culture, which opened on the National Mall in 2016. After returning to Iowa, Cori transitioned into interior design and higher education, teaching courses on architecture and design history. Currently completing her MA in Art Business at Sotheby’s Institute of Art, Cori is excited to support clients in the Southwest with thoughtful, personalized guidance and trusted auction and appraisal services. Gus Dangremond, joining the firm’s New York office, brings over a decade of high-level auction industry experience from Sotheby’s, Christie’s, and 1stDibs. He has led client strategy and business development initiatives across major sales, including the landmark David Gilmour Guitar Collection and the Collection of Richard Feigen. With a BA in Art History from Trinity College and an MBA from NYU’s Stern School of Business, Gus combines a deep knowledge of the art market with strong strategic acumen. He will focus on building relationships and serving clients throughout New York, New Jersey, and southwestern Connecticut. Samira Farmer, based in Denver, brings over two decades of experience in the auction, appraisal, and antiques industry, with deep expertise in decorative arts and market strategy. She began her career managing Decorative Arts & Silver for a Miami auction house, later moving to Los Angeles to support early e-commerce initiatives for a Beverly Hills gallery and assist with major appraisal projects. Samira joined Doyle in 2005 as Business Manager for the Mid-Atlantic Region, where she played a key role in business development and client engagement. She has worked on many significant estates and collections, offering trusted guidance and access to the New York auction market. She holds an M.A. in the History of Decorative Arts from Parsons School of Design and a fellowship from the Smithsonian’s American Art Library. Active in the arts and estate planning communities, Samira recently relocated to the Rocky Mountain region and now leads Freeman’s | Hindman’s efforts in Colorado and the surrounding area. “We’re delighted to welcome Cori, Gus, and Samira to our growing national team, and to support Caroline in her relocation to Boston,” said Molly E. Gron, Managing Director of Trusts, Estates & Private Clients at Freeman’s | Hindman. “Each of them brings deep expertise, integrity, and a client-centered approach that embodies the values of our department. With their leadership across four key regions, we are well-positioned to provide even more personalized service and thoughtful solutions to our clients and their advisors nationwide. Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.
Presented across two days and more than 350 lots, Freeman’s | Hindman’s European Furniture & Decorative Arts auction welcomed strong participation, with 14% of buyers new to the firm. An exceptional 88% of lots sold, realizing 115% of the total low estimate. The sale featured outstanding examples of Continental and English furniture, sculpture, and decorative arts spanning four centuries. Notable consignments included fine furniture, clocks, and Chinese Export porcelain from a California Collector; a Meissen chandelier and center table from a Private Collection in Tucson, Arizona; and striking bronze and marble sculptures from a Midwest Collector. Lot 1151 | An Italian Baroque Pietra Dura Panel | Sold for $89,400 The top lotof the sale was an Italian Baroque Pietra Dura Panel (Lot 1151) from a California Collector. Attributed to the Grand Ducal Workshops in Florence and dating to the early 17th century, the panel carried a pre-sale estimate of $10,000–20,000 but soared past expectations to realize $89,400—nine times its estimate. Another standout, an Italian Neoclassical Black Belgian Marble and Micromosaic Vase (Lot 1180), from the first quarter of the 19th century and attributed to Giacomo Raffaelli, drew significant attention. Featuring figures after Allegories of the Hours of the Day and Night by Michelangelo Maestri, the vase achieved $54,400, more than doubling its low estimate of $20,000. A Pair of Louis XVI Gilt and Patinated Bronze Four-Light Candelabra (Lot 1031), circa 1785 and attributed to François Rémond, also performed strongly, realizing $51,200against a pre-sale estimate of $15,000–25,000. Additional Highlights Lot 1056: Antoine-Louis Barye (French, 1795-1875), Thesée Et Le Minotaure Sold for $43,520 Lot 1128: A German Gilt Brass Quarter-Striking Automaton Clock with Lion,By Johann Ott Halleicher, Augsburg, Mid-17th Century Sold for $41,600 Lot 1127: A German Gilt Bronze, Ebonized and Lapis Lazuli-Mounted Automaton with a Reclining Hound,Augsburg, Second Quarter 17th Century and Later Sold for $38,400 Lot 1273: Percival Ball, Bacchu Sold for $35,200 Lot 1025: A Pair of Louis XVI Gilt Bronze Mounted Granito Rosso Vases, Circa 1775 Sold for $21,760 Lot 1299: A Set of Six 18-Karat Gold Mounted Agate Cups and Saucers, 20th Century Sold for $20,480 Lot 1100: Denis Pierre Puech (French, 1854-1942), La Sirène Sold for $19,200 Lot 1303: A Pair of American Gilt and Patinated Bronze and Carved Marble Figural Table Lamps, E.F. Caldwell and Co., New York, Circa 1915 Sold for $19,200 Freeman’s is a premier American auction house offering services in multiple categories including fine art, jewelry, design, books and manuscripts, furniture, decorative arts, antiquities, couture, and Asian works of art. With 16 regional locations nationwide, the firm provides auctions, appraisals, private sales, and art advisory services, connecting clients to the global art market. Freeman’s strives to bring art, history, and design to life by connecting people with extraordinary objects through exceptional service and expertise.